By H. Shachar
Movie and tv variations of vintage literature have held a longstanding allure for audiences, an attraction that this ebook units out to ascertain. With a selected specialize in Wuthering Heights , the e-book examines diversifications made up of the Thirties to the twenty-first century, offering an realizing of the way they assist form our cultural panorama.
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Additional info for Cultural Afterlives and Screen Adaptations of Classic Literature: Wuthering Heights and Company
Calls for. The reader is left wondering just what is ‘home’ for Catherine. What is telling about the image of Lockwood rubbing her wrist on the broken window pane is that it reveals Catherine’s unresolved and unfulfilled desire for a home as a violent encounter upon the broken barrier that separates the two spaces which she constructs as both ‘home’ and ‘nonhome’. The blood that is spilled at the border between the two spaces stands as symbol of her inability to find a space that will protect her own sense of self.
9). Being informed that he is wrong, he turns to Hareton assuming that he is thus ‘the favoured possessor of the beneficent fairy’ (Brontë, 1998, p. 10). As ‘Mrs. Heathcliff’ (Brontë, 1998, p. 10), Lockwood expects Cathy to play out the role of the middle-class wife who attends to domestic duties and whose function is to provide a welcoming sanctuary. However, Cathy’s sullenness, irresponsiveness and lack of welcoming hospitality contradict his narrative of feminine domesticity. It is not simply her sullenness that Lockwood finds disconcerting, but also her gaze.
Catherine’s statements are, significantly, all about herself. Her discourse of love is informed by the desires that she seeks to fulfil throughout the novel and she engages with the discourse of Romantic love in a manner that both reflects and problematises it. Catherine’s declarations are framed by the overarching desire for a home, which she expresses throughout the novel. In her explanation of her dream to Nelly, she links the site of Wuthering Heights with Heathcliff as marginal spaces that express her own marginality.