By Baer, Max; Schaap, Jeremy; Braddock, James Joseph
opposed to the gritty backdrop of the melancholy, Cinderella guy brings this dramatic all-American tale to lifestyles, evoking a time while the game of boxing resonated with a rustic attempting desperately to come again on its toes. Schaap paints a shiny photograph of the struggle global in its golden age, populated by means of males of each category and ethnic heritage and lined voluminously via writers who increased activities writing to artwork. wealthy in anecdote and colour, steeped in background, and whole of human curiosity, Cinderellla guy is a vintage David and Goliath story that transcends the sport.
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Extra info for Cinderella Man : James J. Braddock, Max Baer, and the greatest upset in boxing history
Sample text
When Kilrain failed to answer the bell for the seventy-sixth round, Sullivan was declared the winner. From then on, the heavyweight championship was contested under the Queensberry rules, which were drawn up in London in 1865 not by the marquis of Queensberry but by John Graham Chambers, an English boxing enthusiast. The ninth marquis of Queensberry, John Sholto Douglas, was a Scot who in 1860 helped found the Amateur Athletic Club, of which Chambers was a member. In deference to Douglas, Chambers named the code after him.
But most of the time, the champ was king. Someone, though, was needed to blow the champion’s horn. In his later years, Dempsey, who was champion from 1919 to 1926, said, “I was a pretty good fighter. ” Dempsey knew that the golden age of sport was an invention of the golden age of sports writing. In the 1920s and 1930s, radio was in its infancy and television was a rumor. The vast majority of Americans got their information—about politics, sports, and entertainment—from newspapers. In New York City alone there were nearly two dozen thriving dailies—the Times, the Herald-Tribune, the Post, the News, the Sun, the American, the Journal, the World-Telegram, the Wall Street Journal, the Daily Worker, the Mirror, the Staten Island Advance, the Brooklyn Eagle, the Star-Journal, the Bronx Home-News, the Long Island Press, and the Forward, among others.
He had lost sixteen out of twenty-six fights since the day the market crashed in 1929. Finally, on September 25, 1933, he broke his right hand, his only real weapon, on the jaw of a twenty-year-old heavyweight named Abe Feldman. The hand had been broken twice before, and Braddock thought it was unlikely that it would ever heal properly. If he somehow managed to scrape up enough cash to find a doctor who knew how to set the fracture, it would still take months to mend. By that time, he knew, he would be older and even slower than he already was, which was quite slow.