By Jerry Mander
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Be aware that some writers do not want to try a new format. As in all collaborative ventures, personality clashes are a factor to be considered. In its writers, Breakers went for a mixture of experience plus enthusiasm for a new sort of show. A useful writing team is: six writers experienced in some kind of television writing, three of whom will become script editors. Each of these writers write five episodes, which means that thirty scripts exist to establish the series' identity. Preventing problems down the track/keeping everyone on track As the series gets into full swing, more writing personnel will be brought on board, increasing the potential for confusion and misunderstandings on the matter of 'what show we're in'.
To be easily available by phone. To write a mini-bible of factual information to be kept at the production house. To suggest useful reference books for a standing library and later as required. To write short reports on topics of expertise, as required. To suggest useful kinds of research to the research team, informing them where and how to look. The expert should have wide knowledge and practical experience available on demand. The expert should know how to get hold of research materials and other experts at speed.
L l o you havepractical suggesiions/methods of making sure everyone on the script development team gets the best out oftheir writers and themselves, all the way jr-orri preliminary meetings through to final draft? It's always different with different personalities, and every show having itself a different personality and different need. Retaining enough flexibility to ensure that people are giving their best and are being stretched rather than serving up what comes from the front of their heads is a good place to start.